Boris Pasternak’s epic tale about the effects of the Russian Revolution and its aftermath was not permitted publication in the Soviet Union until 1987. One of the results of its release in the West was Pasternak's complete rejection by Soviet authorities; when he was awarded the Nobel Prize for Literature in 1958 he was compelled to decline it, or risk leaving his beloved Russia forever. The book quickly became an international best-seller. Doctor Yuri Zhivago, Pasternak's alter ego, is a poet, philosopher, and physician whose life is disrupted by the war and by his love for Lara, the wife of a revolutionary. His artistic nature makes him vulnerable to the brutality and harshness of the Bolsheviks. The poetry he composes constitutes some of the most beautiful writing in the novel.
The first image of the novel - Yura crying over his mother's grave--creates a sense of morbid expectation. The further knowledge of his father's lost fortune, revealed by the scene in the train, adds suspense. This is compounded by several shifts in time and location that occur. Pasternak draws the story line of Misha into the novel by describing his boredom and irritability, together with his dissatisfaction at being Jewish. When the man who kills himself is revealed to be Zhivago, the realization is both a means of integrating the different story lines and establishing the time flow of the novel. It is clear that Zhivago had a story to tell and that it was closely linked to the lives of Yura and his mother, though he has not seen them for some time. Early on, Pasternak establishes a sense of things unravelling backward through time, by revealing details about the past as the action of the novel marches forward.

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