Love is Frozen... Wider Reading 17: Annabel Lee

Composed in May 1849, Edgar Allen Poe's last complete work was not published until shortly after his death that same year. Poe himself made sure the poem would be seen in print. He gave a copy to Rufus Wilmot Griswold, his personal rival, another to John Thompson to repay a $5 debt, and sold a copy to Sartain's Union Magazine for publication. It is unclear to whom the eponymous Annabel Lee is referring. Biographers and critics often suggest Poe's frequent use of the theme of death, particularly of beautiful women, stems from the repeated loss of women throughout his own life, including his mother Eliza Poe and his foster mother Frances Allan. Biographers often interpret that "Annabel Lee" was written for Poe's wife Virginia, who had died two years prior. "Annabel Lee" and Poe’s other works were an inspiration for Vladimir Nabokov in his novel Lolita (1955), in which the narrator, as a child, falls in love with the terminally ill Annabel Leigh "in a princedom by the sea". Originally, Nabokov titled the novel The Kingdom by the Sea.

The speaker laments the death of his childhood sweetheart, Annabel Lee, reminiscing about their time together and defies even angels and demons to tear his love apart. Poe often associated death with the freezing and capturing of beauty, and “Annabel Lee” is no exception. Just as words can suspend and encapsulate a single moment, so can this poem capture the idyllic childhood romance of the speaker and Annabel. The poem specifically mentions the youth of the unnamed narrator and of Annabel Lee, and it celebrates child-like emotions in a way consistent with the ideals of the Romantic era. Many Romantics from the eighteenth and nineteenth centuries viewed adulthood as a corruption of the purer instincts of childhood, and they preferred nature to society because they considered it to be a better and more instinctive state.

The name "Annabel Lee" continues the pattern of a number of Poe's names for his dead women, which contain the lulling but melancholy "L" sound. Furthermore, "Annabel Lee" has a peaceful, musical rhythm and makes heavy use of the refrain phrases "in this kingdom by the sea" and "of the beautiful Annabel Lee.” In particular, although the poem's stanzas have a somewhat irregular length and structure, the poet continually emphasizes the three words "me," "Lee," and "sea," enforcing the linked nature of these concepts within the poem.

Annabel Lee - Quotations

The Edge of Love... Wider Reading 12: Do Not Go Gentle into that Good Night

"Thomas is the greatest living poet in the English language.” Thus gushed one critic upon this poem's publication in the Botteghe Oscure, and later featured in Collected Poems, 1934–52. Winning him the Foyle poetry prize, Thomas’ most famous poem marked the twilight of his turbulent life and career. The poem was a success and continues to be popular to this day. It was written for his dying octogenarian father, and also unnervingly foreshadows the poet’s own death following a spell of bad luck for his family and friends. Despite the well-known address to his father, Thomas never actually showed the poem to him, giving the impression that the poet composed it more for his own benefit, rather than his father’s as Thomas watched the veteran grow weak, frail and blind with old age. The poet relates his experience in this poem. The speaker tries to convince his father to fight against imminent death. He addresses his father using men as examples to illustrate the same message: that no matter how they have lived their lives, or what they feel at the end, they should fight death.

It could be interpreted that the speaker admits death is unavoidable, but encourages all men to fight it anyway. This is not for their own sake, but to give closure and hope to the kin that they will leave behind. To support this, he gives examples of wise men, good men, wild men, and grave men to his dying father. There is little textual evidence for this interpretation, however, except the words "curse, bless me now with your fierce tears, I pray." Another reading of this poem shows the author's own fear of death. He seems to fear having little separation between life and death. As such, he feels the need for a strong indication of the difference between the two. The poem could be written in the hope that the speaker would be able to see his dying father. He gives the impression that, since all men regret leaving this world, his father as well should not wish to leave it without a fight. It seems to be a wild hope, that he will be able to see his father before he passes; that each will be able to say last words to each other—whether they are curses or blessings.

The poem uses parallelism as the actions of the different types of men are listed. Each of these three stanzas begins by listing the type of men in question, then describing something amazing that they have done. The speaker ends each by reminding the reader that these men will not let themselves die without a struggle. This builds the case he is offering his father, and is highly persuasive. The poem is also a villanelle, which would to imply a light gay tone, in contrast to the poem’s actual content. This alludes to a profound paradox and the prevalent conflict in the poem: unavoidable death in the face of the perpetual rhythm of poetry and rebirth. The haunting refrains trap the poem and draw a fine line between courage and frustration, strength and grieving. "Do Not Go Gentle into That Good Night" begins with an address to an unknown listener and ends by revealing that this listener is the speaker's father. In between these direct addresses, however, the speaker describes the valiant and praiseworthy behaviour of many different kinds of exemplary men – "wise men," "good men," "wild men," and "grave men." The speaker touchingly hopes that his father will be all these things.

Do Not Go Gentle Into That Good Night - Quotations

Love is Enduring... Wider Reading 9: Birdsong

Birdsong is the story of Stephen Wraysford, a young Englishman who arrives in Amiens, France in 1910. After a passionate love affair with his married landlady that goes terribly wrong, he leaves only to return four years later to fight in the Great War. Over the course of the novel he suffers a series of traumatic experiences, from the clandestine love affair that tears apart the family with whom he lives, to the unprecedented experiences of the war itself. Entwined with his story are numerous heartrending tales of others affected by the fever sweeping Europe: from Michael Weir, his best friend, Jack Firebrace, whose tender heart becomes his undoing, Jeanne, a woman of endless kindness and patience, to the 1970s and the story of Elizabeth, who discovers her grandfather's tale through his letters, diaries, and the stories of those who were close to him. Set before and during World War One, Birdsong captures the drama of that era on both a national and a personal scale.

The novel defies modern convention by exclusively employing the omniscient narrator to tell its harrowing story. Penetrating into the deepest thoughts, pasts and even, in some cases, futures of every single character, it seems unnervingly invasive, but becomes an all-encompassing narratorial rubric to complement perfectly the difficult subject matter. Birdong is indeed difficult; it is a World War One novel with an explicit focus on trench warfare - that most horrifying and unimaginable of all wartime terrors. While the public consciousness may have a vague notion of the sheer horror, a true understanding remains forever ungraspable to the individual.

Birdsong has a tripartite plot structure, beginning with a long pre-war love story. Faulks’ intentions in doing this are obvious and multiple: put simply, this section serves to humanize the characters we are soon to see committing horrific acts of brutal killing and to drive home to the reader what’s at stake. There’s also more than a little dramatic irony. The reader knows what is coming, and is powerless to warn the characters. Stylistically this is also the most colourful part of the book. The writing here is metaphor-heavy, plentiful with adjectives and parenthetic digressions. The second section offers the ‘meat’ of the novel. A jump-cut to mid-war trench life carries with it a drastic change in Faulks’ linguistic register. The synaesthesia of sex is replaced with that of war: now there’s blood, iron, mud and agony. There’re no more metaphors, few adjectives, many more concrete nouns and a focus on active verbs. The contrast with the first part of the book is abrasive and sudden – here there is no artificiality of language. The third and weakest part of the novel is another jump-cut, but this time to a modern-day setting. The characters and events that occupy this part of the novel seem extremely dull and muted, creating a sharp contrast to the horror, and excitement and bravery, of war.

Birdsong - Quotations

Love is Everlasting... Wider Reading 3: In Memoriam A.H.H.

Often considered to be the greatest poem of the 19th century, "In Memoriam" is a poem of epic proportions, whose sensitive portrayal of heartache and loss tugged on the heartstrings of Victorian society. At first known only for his short, rhythmic pieces, poet Lord Tennyson satisfied critics who doubted he could produce something more strenuous and sustained, by shaping a long prophetic poem from the short personal lyrics that came naturally to him.

At the end of 1850 Tennyson succeeded William Wordsworth as Poet Laureate to Queen Victoria, and published "In Memoriam" 17 years after the death of Arthur Henry Hallam, the poet's artistic mentor and dear friend, to whom the poem is dedicated. It was an instant and resounding success, even surpassing the past popularity of great writers such as Byron. Queen Victoria also found solace in the poem after the death of Prince Albert.

One of the many reasons for "In Memoriam's" lasting effect is that the sense of loss it carries within it is something very relevant to everyone who has lost someone, whether it be a contemporary reader or one studying it today. The main theme of love is the platonic friendship between two people, which we can all relate to.

In Memoriam - Quotations