The original Disney animation is riddled with Native American stereotypes, and is difficult to rewatch as an adult. However, Pan's director Joe Wright has attempted to placate critics by saying that his film is “very international and multi-racial, effectively challenging audiences’ preconceived notions of Neverland and reimagining the environment.” It is disappointing to see such a glaring missed opportunity for a respectful representation of Native Americans in the middle of a film which claims to be 'international.' Even Mara's make up and dress are overly colourful and exotic, reeking of far too many quasi-'Indian' costumes. The far-reaching consequences of this include young Native American girls effectively being told that, in order to be represented on the big screen, they must be tall, thin, and white. This also sets a standard in the industry for the continued whitewashing of characters of colour, and a continued reluctance to balance the enormous budgets of current blockbusters on the shoulders of less-known actors who may not guarantee a return.
Little can be done for Pan now, and this vicious cycle will continue unless the problem is fully addressed by studios and audiences alike. The growing demand for diversity on screen cannot be ignored, and Hollywood revenue may suffer if it does not reciprocate. Mara is a favourite to earn an Oscar nomination for her role in Carol. Since her breakthrough role in David Fincher's The Social Network, she has demonstrated a clear ability of making better choices, and will hopefully grow out of this episode, even if Peter Pan does not.
